Analog(類比)與digital(數位)的反思：

長年以來，在電子音樂以及錄音、聲音處理工程中，ㄧ直有這個議題存在：數位與類比聲響之對立關係的探討。如果將兩者差異性的思考方式換個角度來分析，可以推敲出一種新的結論；我們來假設一下，當EQ（頻率配置）的旋鈕設定在從基本的3-4band的數目，分離成100個等距的位置來分佈，再將各別的參數擺放在0以及最大值，依此邏輯思維當做記憶的方式，是否就可以算是達成以類比式系統，成立數位訊號的運作模式？然而數位本身的開關式系統（1跟0)在能夠達成的最高密度以及相對的時間關係之中，是否能完全替代類比訊號？

Reflection on Analog and Digital:

For many years, in electronic music, recording, and sound processing projects, there has always been this topic: the discussion of the antagonistic relationship between digital and analog sound.If we analyze the difference between the two from another angle, we can draw a new conclusion; let us assume that when the EQ (frequency configuration) knob is set from the basic 3-4band number, it is separated into By distributing 100 equidistant positions, and then placing each parameter at 0 and the maximum value, and using this logical thinking as a memory method, can it be regarded as an analogy system to establish the operation mode of digital signals? However, can the switching system of digital itself (1 and 0) completely replace analog signals in the highest possible density and relative time relationship?